10 Berkeley Square

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FOR AN INTRODUCTION TO BERKELEY SQUARE, CLICK HERE


Usually, a house on Berkeley Square can be associated with one principal owner, either the builder or the longest-term resident. In the case of #10, it seems that four tenants have about equal claim to naming rights. Even still, there is at least one sizable gap in the ownership history of #10; and while we do have a lead on a possible architect, albeit an obscure one, only a single grainy illustration of the house has been found so far, one from the Los Angeles Times of September 27, 1925, seen here at top.

Consummate Westerner Harry P. Taylor was born in Salt Lake City in 1876, wending his way through Oberlin and Cornell before being graduated from the Colorado School of Mines in 1900. For the five years afterward he was variously the superintendent and examiner for corporations and individuals conducting mining operations in Oregon, Idaho, Montana, and British Columbia. The famous Goldfield boom, the last big gold rush in the West, brought him to Nevada in 1905, where he made a fortune in gold production over the next four years before selling out and, leaving no Western State unturned, moved to Los Angeles to pursue oil, mining, and land deals in the Golden State. Taylor's vigor made him popular among the Big Swinging Dicks in his adopted city, and he was elected in short order to, among other clubs, the California and the L.A.C.C. He also celebrated his hard work with a new house of his own behind the exclusive gates of Berkeley Square. 

Living first at 2311 South Gramercy Place, a still-standing house hard by the western gates of the Square, Taylor acquired Lot 24 from the Burkes in late 1908. In December 1910 he took out building permits for a 14-room house on which he intended to spend $20,000, later adding a two-story, granite-and-frame garage containing a machine shop. It appears that he commissioned Los Angeles architect John C. Smith to design the house. About all we know of John C. Smith is that he had an office on the second floor of the Alfred R. Rosenheim-designed H. W. Hellman Building downtown (Rosenheim's own office was four floors up) and that he designed a commercial building or two and and at least one school—which, it must be said, would not seem to recommend him for a high-end residential project. 

The length of Taylor's tenancy at #10 is uncertain. He had married Lois Nesmith in Minnesota in 1903 and had three children, and, while clubbable, seems to have kept a low profile socially. While Taylor is hard to trace during the 1910s, he was apparently living on St. Andrews Place in the Wilshire District later in the decade.


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Short-term renters of #10 for some time on either side of 1920 were Mrs. William L. Davis—not to be confused with the William Henry Davises of #25—and her daughter Lidia; little is known of mother and daughter, or what might have happened to Mr. Davis. In their place came the Frank Henry Reilleys early in the decade.


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What Frank Reilley did with himself during the day is a mystery—unlike the usual directory listing for your average Berkeley Square man, there are no boldfaced notations indicating presidency of or partnership in any particular business. About all we know is that he was a Son of the American Revolution, with antecedents in Massachusetts. The extended Reilley family seems to have later settled in Buffalo, New York; Frank appears to have arrived in Los Angeles at least by the turn of the 20th century. There in 1905 he married Florence Jones, who was born in Xenia, Ohio, in 1875, moving to L.A. as a child, where she was educated privately before going on to Stanford—unusual for a woman at the time, and indicating an independence that might explain her being 30 when she married. (It does not explain, however, why, according to the 1914 Woman's Who's Who of America, she was "against woman suffrage.") Florence was the daughter of Dr. Cummins Butterfield Jones and Alice Ewing Jones, who seem to have been well-regarded socially in Los Angeles before the turn of the century. They were definitely Old West Adams, living at 2302 South Flower in 1899, later migrating west within the district to 2101 South Gramercy—a block from the gates of Berkeley Square and, incidentally, the very house, still standing on the north edge of the freeway, in which Marvin Gaye was killed by his father in 1984.


Home from Miss Bennett's School in Millbrook, New York, summer 1924;
within a few months she would be married, at 16, to James Albert
Phillips Jr. The marriage wasn't announced until after Phillips
was graduated from Yale in the spring of 1925. Later they
came west to live in  Pasadena for many years. J. A.
Phillips founded Phillips Aviation—now Marples
Gears Company—still going strong in the
hands of fifth-generation Angelenos.



The Reilleys had two children: Ewing, born in 1906 and named after his maternal uncle who had drowned in 1902, and Florence Jr,, born in 1908. They lived with the Joneses on Gramercy until about five years after Dr. Jones's 1916 death, at which time the Reilleys and Mrs. Jones moved to the Square. During their time at #10, Florence Jr. married rather suddenly and moved to New York, leaving the older members of the household rattling around in a big house with no debutante party or wedding reception to look forward to. The Reilleys and Mrs. Jones were at #10 until late 1925, when they sold to the Charles F. Sterns; after a spell at the Gaylord apartments on Wilshire they were back on the Square by late 1926, taking #21 between the Buchanans and the Fusenots.

Frank Reilley seems to have expired around 1930, with his wife then moving downtown to the Biltmore. She died in 1943, while her mother, by now living at the Huntington in Pasadena, lived on to see great-great grandchildren, dying at age 99 in 1952.


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Charles F. Stern, born in Arcata, California, in 1880, had plenty of boldface notations following his name in city directories. At the time of his move to Berkeley Square around the beginning of 1927, he was president of the Pacific-Southwest Bank as well as executive vice-president of the First National, which were under one umbrella. The entertainments began in April, when Stern invited his old Berkeley classmate, William L. Finley, the Oregon State Game Commissioner, to give a talk at a stag dinner for 75 at #10. The subject was "Wild Animal Outposts," which ostensibly promoted the setting aside of vast areas for wildlife conservation. No doubt by the end of the evening the stags were plotzing at the thought of setting up new camps from which to cull the various coveys, flocks, herds, traces, and flushes.

The good times at #10 were interrupted a couple of months later when Stern, along with 40 or so other big Southland muckety-mucks including Motley H. Flint (also of the Pacific-Southwest banking group), Harry Haldeman, and none other than Louis B. Mayer of Metro-Goldwyn-Mayer were charged with, among other things, embezzlement and violations of a law governing bankers' bonuses in connection with the famous Julian Petroleum scandals that had recently been exposed. While Motley Flint was shot to death in court during a later related trial, it is not clear what happened to Stern in legal terms. He seems to have escaped time in the clink—in 1929 he was listed as vice-president of the merged Los Angeles–First National Bank and Trust company, though another merger the following year did not include him. By 1932 he had moved on to the oil and gas business, and later served as a state highway commissioner and, curiously, as a state superintendent of banks. Why not?

Mrs. Charles F. Stern was the former True Aiken. She and Charles had three sons and were living near the corner of Wilshire and Ardmore in 1923 before moving to 2151 West 21st Street near the Square, and soon after to #10. True did the usual good works of all Berkeley Square matrons, including on behalf of Children's Hospital. After leaving #10, the Sterns moved to Beverly Hills, and then to Glendale in 1942, where they lived until their deaths. Charles died in 1960 and True in 1961. Both are buried in Glendale at Forest Lawn, where Stern, as a member of  its advisory board, had helped launch the graveyard-as-Disneyland era in the '20s.


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Who lived at #10 after the Sterns is something of a mystery. There are no listings for the house in available city directories during the '40s. There is a classified ad in the Times of February 6, 1949, offering it for sale for $20,000. Dr. and Mrs. William Clyde Allen and their children might have been the African-American family cited in some sources as the first to have moved to Berkeley Square—to #10—in 1951. The Allens were civic activists and brave pioneers in the fight to break restrictive housing covenants in Los Angeles, alongside other prominent West Adams residents including movie stars Hattie McDaniel and Louise Beavers. In 1957, William Clyde Allen Jr., a student at Mount Vernon Junior High School, made the paper when he won a $1,000 essay contest with his entry titled "Why I Have Faith in God and in the Future of the World." While Clyde Jr. himself lived up to his early optimism—he earned a doctorate and became a psychologist, and was in addition an accomplished composer, music director and conductor—there was little future for the world of Berkeley Square. Although any specific plans for the Santa Monica Freeway seem likely not to have been understood by the general public at the time, the Allens put #10 on the market in May 1959. As highway details began to be revealed, the prospect of a buyer other than condemning authorities might have seemed unlikely; in any case the Allen family left the house in June 1960. It is not known who may have been the buyer, if it was other than a government agency, or just when #10 was finally demolished, but the river of cars was on its way.


The Los Angeles Sentinel, May 14, 1959


The house of one's childhood can be the architectural equivalent of Charles Foster Kane's "Rosebud." No better evocation of a Berkeley Square residence has been found to date than that of Ramon Eric Allen, who would later rise through the ranks to become chief of the Compton Police Department. The youngest son of Dr. and Mrs. Allen, he remembers growing up at #10 during the '50s in lovely detail:

"The asphalt street that ran through Berkeley Square was very wide. This allowed for residents or visitors to park diagonally at the curb and to have more parking space without having to be concerned with being ticketed—the street was private property. Neighborhood kids could play baseball in the Square without having to fear vehicular traffic interfering with the game or causing accidents. Berkeley Square, of course, was a gated community. On the east end was the Western Avenue gate. This was eventually closed sometime during the early 1950s. The opposite gate at Gramercy Place had a security officer. Soon the officer was removed and access to Berkeley Square by the general public became available. Undesirable youths from various neighborhoods—outside of Sugar Hill—came into the Square occasionally and caused fistfights with those who lived on the block. On the weekends—particularly on Sundays—uninvited visitors cruised the Square and became bothersome lookie-loos, boldly asking homeowners questions of property costs and what it took to become a resident.

"The entry door of #10 faced west. Upon entering, one would find themselves in the parlor—sometimes referred to as the reception hall. One would notice the highly shellacked hardwood floors, mahogany walls, mahogany ceilings and exposed mahogany beams. Long mahogany sliding doors with floor-to-ceiling glass panels separated the parlor from the living room—in this instance the living room was truly a great room.

"The great room extended across the entire front portion of the residence and was constructed of mahogany walls and exposed 12-inch-wide mahogany beams throughout. At the east end, there was an eight-inch-wide mahogany banister with columns separating the gigantic fireplace from the rest of the room. The floor level on which the fireplace was located was about two feet lower than the great-room floor. There were two steps down to reach that level through an opening in the banister. The fireplace was built of stone and brick and had a firepit that was perhaps six feet wide, four feet high and three feet deep. A mahogany mantel was situated above the fireplace opening. The hearth rose from the floor some two feet in front of the firebox and one could sit on it or opt to sit on the leather furniture situated around the fireplace. The seating area between the banister and the fireplace may have been fifteen feet by eight feet, more or less. During the cold winters, and especially during the holiday season, my father consistently had a fire going in this main fireplace. It used coal oil and was astoundingly efficient. There were three additional fireplaces in the dwelling, one in the sitting room off the parlor, another in the dining room, and a third in the upstairs study that my brother James Kanati Allen selected a his bedroom. [A member of the U.S. gymnastics team at Mexico City in 1968, Kanati Allen distinguishes the Square as its only known Olympian. He later earned degrees in physics from U.C.L.A. and the University of Washington.]
"The huge mahogany formal dining room was on the east side of the residence, adjacent to the great room, and shared its design theme. It had a fireplace on the west wall. A sliding mahogany-and-glass door separated the dining room from a less formal dining area for the family. On occasion, my mother would open the sliding door to accommodate a greater number of dinner guests. A swinging door in the dining room opened into a north-south hallway that eventually led through a butler’s pantry and to the kitchen. The kitchen was approximately 20 feet square with a center island. A doorbell was attached to the south wall near the ceiling in plain sight—next to the doorbell was an arrow attached to a clocklike dial for determining at which of the residence's six doors someone had arrived."

Back yards are always a child's special purview, and that of #10 left Mr. Allen with memories as detailed as those he has of the front and of the interior:

"Toward the center of the backyard of 10 Berkeley Square was a concrete pond with Lilies of the Nile planted around its base. The pond was about two feet deep and perhaps eight feet in diameter. It contained giant goldfish. Rarely did they have to be fed because they ate the tadpoles and other small fish or insects that cohabited with them. Large turtles and frogs frequented the pond and eventually had to be removed because of their population and because the family dog—Nipper, a red-haired cocker spaniel—became annoyed by them.

"The backyard had several types of trees. Between the east exterior wall of the house and the east property line was a bamboo garden that stretched down that side of the house. A stone walkway divided the bamboo garden from the residence and my mother was oftentimes found enjoying its shade during the summer months. Elsewhere in the garden, avocados were plentiful, as were lemons, apricots and peaches. My mother frequently served a pitcher full of lemonade to the family in the backyard during the warm summer afternoons and evenings. There were other trees and bushes in the yard, many of which attracted honeybees, wasps and spiders—very large spiders. During the spring and summer months, while playing out back during the daylight hours, one had to be alert for bees and wasps. Kanati got stung by wasps—twice—and he remembered the incident for decades thereafter. During the evening hours, huge spiders—really huge spiders—would string their webs here and there. One had to be careful where one walked. Oftentimes, my father would use a tennis racket or piece of lumber to strike the spiders as if they were baseballs. They almost sounded like a ball hitting a bat when they were struck. By the late 1950s, the large spiders seemed to disappear.

"Attached to the garage on the east side was a one-bedroom cottage for a groundskeeper, custodian or caretaker. It was complete with a large living room, bedroom, full-sized bathroom, and kitchenette. During the afternoons in summer, the cottage bathroom was very convenient for the young Allens and their friends after having consumed the Nehis, Mother’s Pride and other sodas and candies of the era. At one time, my father had the cottage furnished for visiting relatives and overnight guests. 
"Directly behind 10 Berkeley Square, on the opposite side of the alleyway, was 24th Street Elementary School. Although it would have appeared easier to walk across the alleyway to attend school, its access gates were locked. Hence, the necessity for the Allen boys to walk around the corner to enter the school from the front, if they weren't driven by one of their parents."

Thus passed the glory of Berkeley Square.



Illustrations: LAT; LAS



9 Berkeley Square

PLEASE SEE OUR COMPANION HISTORIES
FOR AN INTRODUCTION TO BERKELEY SQUARE, CLICK HERE


As William R. Burke savored a post-luncheon stogie at the California Club after his purchase of a barley field out in the western reaches of Los Angeles in 1903, he no doubt began to tell a select few friends—friends whose bank deposits he was sure of and whose company he enjoyed—about his plans for Berkeley Square. While the site at the center of a mesa afforded an elevation suitable to men of their status, it also no doubt appeared to be a good investment. Los Angeles was growing rapidly toward the Pacific, and given a bit of time, the Square would be at the very center of the city, geographically as well as socially. While within ten years West Adams, the established residential center of fashion, would begin to face competition with luxurious new developments to the north and west, the push in those directions among the fashionable Los Angeles Old Guard, as much as there was one in 1903, was still within the district. Burke intended Berkeley Square to be the gated center of the newer West Adams and he wanted big houses and attractive residents he could be comfortable with. It was all about connections.


1926: The rather modest appearance of the rear of #9 belies its true size
and reveals the house's gambrel-roof design. At upper right
is a sleeping porch, common to many Southern
California dwellings of the period.


It was also not unusual for social connections to thread through the life of an individual house on the Square. Social notes in the Los Angeles Herald of July 1, 1906, describe a party given by a fraternity of Los Angeles High School boys, a Paul Nourse among them, that was chaperoned by a Mrs. Chester A. Montgomery, whose nephew Richard was also a Gamma Eta Kappa. (In 1934 Richard Montgomery's daughter would marry the brother of Mrs. Constant Bilicke, later of #7—yes, yes, the incestuous history of Berkeley Square can be exhausting.) At the end of 1907, Mrs. Montgomery would be living in her new Berkeley Square house on Lot 7 (later #9). Not much more than a couple of decades later, the house would have a new resident—the now fortyish Paul Nourse. It was all very cozy, part of what makes the story of a gated street seem to be a little more of a hothouse than the ungated variety.





Chester Arthur Montgomery didn't just arrive on the Square in 1907 fresh off the train from back east. He was part of a family firm that around the same time would open its latest and most splendiferous downtown emporium—one whose interior was designed by Alfred F. Rosenheim, who happened to have done the gates of the Square a few years earlier. Montgomery Brothers was the Tiffany's of Los Angeles, founded by Chester's uncle James in 1881—the "Brothers" added after Chester's father George joined James in 1888. Chester and one of his brothers, Munro, joined Montgomery Brothers early in the new century, and it seems that jewels must have been flying off the shelves—Chester was a younger man than most Berkeley Square builders, just 25 when he let out bids for #9, one of the earliest of Square houses.



The real estate page of the Los Angeles Times of November 29, 1908,
featured the Montgomery house, referring to it a bit dismissively
as a "handsome, although rather retiring little home."



Chester did everything young. He was 21 when he married Leona P. Smith at the end of 1903. While Chester had been born back in the "old country" (Canada), Leona, also 21, had originally come from Iowa. As we shall see, 21 might have been too young to marry even in 1903. But all was looking rosy when Chester and Leona commissioned the highly esteemed Myron Hunt and Elmer Grey to design a house for them on Lot 7 in early 1907. Their son Robert Douglass Montgomery, destined for Hollywood, was born on October 29 as the house was nearing completion, and the three Montgomerys were at home in the Square by the beginning of 1908. They had a rather rude awakening to the realities of living behind gates, however, when on the evening of April 26, 1908, according to the Herald, thieves climbed a ladder to the second floor of the house while Chester and Leona entertained friends downstairs. "The burglars took only such jewelry as could be easily secreted about their persons, as a large quantity of silverware was not molested."




While we're calling #9 the Chester Arthur Montgomery House, it would perhaps more accurately be called the Leona Smith Montgomery House. Apparently Leona had been clever enough—or her husband then loving enough—to place the title to the house in her name. This would come in handy about ten years later when any happy times in the Montgomery marriage would come to a close. After the 1908 mid-soirĂ©e jewel theft, life chez Montgomery was punctuated by other ritual entertainments—teas, luncheons, and the like, including a rather curious October 1908 gathering of ladies, per the Los Angeles Times: "Mrs. Chester A. Montgomery of 7 Berkeley Square entertained a few friends informally yesterday with skat. Later tea was served." Montgomery dinner parties were no doubt attended by a younger, more flirtatious set than frequented some neighboring houses inhabited by more mature Squareites. One might imagine, if one were of wicked mind, that Chester—or Leona—might have a little too obviously played footsie at dinner one night, and not with each other, setting off a post-prandial war with bric-a-brac as ammunition after the last guest had departed. Or one might imagine that nothing could please a spoiled Leona, not glittering samples from the Montgomery Brothers vaults or even the Detroit Electric Victoria Chester gave her in 1909. 


The Montgomery Brothers street clock followed moves of the store in
downtown Los Angeles several times over the years;
 its works were sold on Ebay in 2010.


1916: It was some time after Mrs. Dudley Fulton dove fully clothed into the pool at the Lamanda Park home of Leona's sister Leota to save her drowning daughter Margaret, the future Mrs. John Page Crutcher of 8 Berkeley Square, that Chester—but not Leona—seems to have left #9. Chester moved for a time back to his parents' old house at 1010 West 21st Street (which still stands), and Fred and Leota Kellogg moved into #9 to take his place. (The Kellogg's house in Lamanda Park—later part of Pasadena—was apparently retained as a weekend residence to which they would return to live full-time in 1925. Leona and Leota—were they twins?--would still be there in grass- and actual widowhood, respectively, as late as 1950.) By 1922 there was a new Mrs. Chester A. Montgomery, nĂ©e Ethel P. Forbes, living with her husband at 945 South Oxford Avenue. The old one was now known as Mrs. Leona S. Montgomery, later calling herself, in the old-fashioned way meant to disguise a divorcĂ©e, Mrs. Smith Montgomery. She never remarried but did remain close to her son Douglass, who was treading the boards at the Pasadena Playhouse while still in high school, and soon after on Broadway, before achieving some success in Hollywood. In 1933's Little Women with Katharine Hepburn, for example:




Los Angeles was awash in oil in the first decades of the 20th century. Edward L. Doheny was the most famous of local oilmen—he and his wife Estelle spent their new millions lavishly if in questionable taste beginning after the turn of the century, on, among other things, nearly every house in that other grandly gated West Adams street, Chester Place. Perhaps in reaction to the Doheny's greedy claims on that piece of real estate (which, unlike our subject Square, survives to this day), other oilmen may have considered life in Chester Place, while physically worthy of emulation, undesirable not only because of the Dohenys' obnoxious pretensions and scandals but also because of its increasingly less-exclusive, too-far-downtown location. By the time Fred R. Kellogg arrived in Berkeley Square, he had been in the oil business for 16 years. A native of Iowa, he'd been trained as a lawyer, had been a successful farmer, and had married Leota Smith in their home state in 1895. Given the closeness of the Smith sisters, no doubt Fred had little choice but to take Leona along when saying "I do." The three of them arrived in Los Angeles in 1902. Fred incorporated his eponymous oil company in 1906; through various mergers, by 1911 it became the Richfield Oil Company, with Kellogg as president. Among his other endeavors was the presidency of Willis G. Hunt's Buttonlath Manufacturing Company—thus the skein of interhouse Berkeley Square attachments grows and grows (see #'s 3 and 5). The Kelloggs had three children and lived on South Figueroa Street (temporarily without Leona, who had married Chester in 1903) before settling in Lamanda Park sometime before 1914. As we've seen, Leona shed Chester circa 1917, and the cozy Kellogg/Smith Sisters arrangement resumed in 1918 on the Square. Life for yet another of the Square's extended families continued with only the usual entertainments until 1925; that summer, after the family left to live year-round in Lamanda Park, #9 appears to have been sold to Lillian C. Martin, who put on a new roof and did minor plumbing and electrical work. When Martin put the house back on the market a year later, it caught the eye of fraternity boy Paul Nourse. Of course the sale was helped in that there was Nourse precedence on the Square—Paul's parents, the Charles O. Nourses, had been among the earliest of Square residents, having built #16 in 1906.


Photo:
The living room of #9 in 1926 is a far cry from Victorian clutter, but
still reflects a time before Eastern- and Midwestern-bred
Angelenos learned to let California sunshine inside. 


Adding to the Iowa pedigree of #9—he was born in Des Moines before his parents came west—Paul Nourse would also add to the Square in later years as a respected jurist. After being graduated from L.A. High in 1908, Paul went on to U.S.C.—a West Adams man to the core—earning both his undergraduate and law degrees there. On his discharge from the Navy following the First World War, his parents gave Lieutenant Nourse and his wife Margaret a party across the Square at #16. Afterward the couple moved in with her mother at 1675 West 25th Street (a house still standing), only a few blocks from his parents. The Paul Nourses became the second generation of the family to live in the Square when they moved to #9 in 1928.




Paul and Margaret—and her mother, Mrs. Ericson, who came to the Square with them—kept a low profile on the Square for two decades, certainly in comparison to the Llewellyn-Milners next door—someone had to maintain the Square's dignity. Paul practiced law and apparently did little more exciting than serving as president of the Los Angeles Bar Association for one month; Margaret attended to her club and charitable activities. There were the occasional parties before U.S.C. games at the Coliseum. Their daughter Susanne was married to Wiley Blair III of Colorado Springs at St. John's—the establishment Episcopal church of Old West Adams—in 1942, with the reception held at #9. Things got more exciting, if only relatively speaking, when Governor Earl Warren appointed Nourse Judge of the Superior Court of Los Angeles County in 1947. He created a kerfuffle with a temporary courtroom news photography ban soon after the appointment, but went on to render sober judgments from the bench until his retirement in 1959 at age 71. The Nourses were to remain on Berkeley Square into the '50s, decamping to Pasadena by 1955. Paul died at home there on August 18, 1970, age 82.


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Mrs. Cora Berry, a native Tennessean who arrived in Los Angeles in 1951 to become a public school teacher and pillar of the Emmanuel Church of God in Christ at 33rd and Compton, was listed at #9 in city directories for 1956 and 1960; after that, the house disappeared forever.



Illustrations: USCDLLAT; RKO/Warner Bros.; LACBA; cogic.com



8 Berkeley Square

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WILSHIRE BOULEVARD   ADAMS BOULEVARD   WINDSOR SQUARE  
FREMONT PLACE   ST. JAMES PARK   WESTMORELAND PLACE
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And then there are those Berkeley Square houses about which little is known of the appearance of the actual buildings; no photographs or drawings or specific newspaper real estate notices from the period have surfaced regarding 8 Berkeley Square as of yet. The house was unusal in that it was built late in the history of the Square, and of West Adams a whole, the older parts of which had begun emptying of the city's Old Guard and professional classes a decade before when newer northerly and westerly suburbs began to draw them away in force. By and large, if any new upper-middle-class house was going to be built at the very depths of the Depression, it would have been in, say, Windsor Square, or perhaps on the flats of Beverly Hills. The original building permits for the house and garage issued by the Department of Building and Safety to attorney John Page Crutcher on February 7, 1933, describe it as a 13-room brick-veneer dwelling. No doubt it was of sober design, most likely symmetrical, perhaps something in the stripped-down Georgian Revival, or perhaps neo-French, with applied detail, that was less architect-designed than something off the table of a contractor's draftsman, which #8 does appear to have been: Building permits indicate that there was indeed no architect of record, with J. Ernest Randall of Beverly Hills cited as the builder. We would venture to guess that the 80-by-250-foot Lot 25 had been retained by the Burkes next door at #6 from the opening of the subdivision until the time of construction of #8, when perhaps they needed a cash infusion; in its quaint column "Here and There With the Society Tattler" by Peek N. Ease, the Times reported on July 3, 1932, that the John Page Crutchers had just bought and were soon to build on the empty lot between the Burkes and the Sterns. The Crutchers were in their commodious five-bedroom, five-bathroom house about a year later. Even if more information about the house was available, no doubt it would serve to paint only the most genteel of pictures, one that would strive to be in accord with the presumed dignity of the proper haute bourgeois Los Angeles that kept its distance from movie folk and such as the unseemly publicized will battles of, say, the Llewellyns and Milners of #7 across the Square. The Crutchers' parties at #8 that society writers did manage to cover were few and far between, with the entertainments sounding somewhat less than, shall we say, energetic. Tea was poured every so often to club ladies, but some Berkeley Square families seem to have adhered more closely than others to the rule of allowing one's name in the newspaper only three times. It was a downtown office-and-club world for some—and a Junior League, volunteer-work world on the distaff side, with fox furs with heads biting tails (and, later, circle pins), which was about as chic as things got in matters of dress in certain Berkeley Square households, such as #8. But here is proof that it is the family living in a house that tells the story, regardless of the building itself. Tea parties, yes, but then there was that colorful wedding of the couple who lived here for 20 years.... More on that in due course.




John Page Crutcher was a son of Old West Adams; his parents were Mr. and Mrs. Albert Hodges Crutcher, long of 1257 West Adams Boulevard, an unpretentious house they built in 1904 and which still stands. Albert Crutcher was a Kentuckian who had come to Los Angeles in the 1880s, working in the city attorney's office before founding a law firm with William Dunn, which through early-20th-century mergers became the white-shoe firm of Gibson, Dunn & Crutcher. (Still one of the top firms in the country as well as internationally known, it is unfortunately most often simply referred to today as "Gibson Dunn.") John Page Crutcher followed his father into the family firm after graduating from Berkeley and Harvard Law; he married proper Angeleno Margaret Fulton on February 16, 1927, at St. John's Episcopal at Adams and Figueroa—proper, proper, proper. Although...we must say we were surprised by the description of Marge's bridesmaids' attire. It seems that the Crutchers had what is called a rainbow wedding, today not generally the choice of modern upper-middle-class brides. The Los Angeles Times of February 17 provides details of the unusual nuptials, complete with photograph. (See topmost illustration above: Technicolor added by ourselves per precise description of each bridesmaid by longstanding Times society writer Juana Neal Levy, below. Artistic license invoked in regard to the silver slippers.)




Following the wedding, the young Crutchers lived first at Hermosa Beach, which before freeways would have been quite a long commute for John to Gibson, Dunn & Crutcher's downtown offices—perhaps he was practicing on his own at first. By 1929 the couple was back in Los Angeles at 2404 6th Avenue, seven blocks west of the Square and in a neighborhood of what might be called starter houses popular among young marrieds of traditional bent, making the short move to the much grander #8 in 1933. They had two sons, James Page Crutcher and John Fulton Crutcher. Marge Crutcher gave her occasional teas, and once even a rather lively dinner party at #8 (the guests didn't leave until 11 o'clock); along with her mother-in-law she helped out at the annual Doll Fair—benefiting  Children's Hospital—at the Phillipses' down the street (later held at Marlborough School). And so life seems to have gone at #8 until sometime around 1956. James, by now a Princeton graduate, married a Seattle Junior Leaguer that year and moved north. His parents were still listed in Berkeley Square in the 1956 city directory with their housekeeper, Leola Baxter, but, of course, change was in the air. John's mother's death at her long-time home at 1257 West Adams on October 8, 1954, was a sign of the times in terms of the moving on from the district of the old ruling class. The Times classifieds for June 30, 1957, listed #8 for sale, "Price Reduced." The Crutchers and Leola moved to 400 North June in Hancock Park the next year, that neighborhood having become the destination of many an old West Adamsite since the subdivision opened in 1920. It was here that John Page Crutcher died on September 26, 1960, age 59. His West Adams roots were not forgotten—the funeral was held at St. John's. Son John married a Visalia girl in 1962, later living in The Netherlands with his second wife. Marge Crutcher and Leola were at 400 North June into the 1970s. On December 9, 1985, leaving her two sons and five grandchildren, Marge was called to her reward by way of St. John's—and so the steady but definitely remarkable Crutchers remained, at least through their church affiliation, loyal West Adamsites for over 85 years.


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A June 13, 1957, classified ad in the Los Angeles Sentinel offered #8 for sale, and, interestingly, refers to it as a "newer house"—well, actually, having been built in the '30s, it was much newer than the first houses to be built on the Square. In any case, it appears to have been sold to the Reverend H.B. Charles of the Mount Sinai Missionary Baptist Church. (Then on East 82nd Street, Mount Sinai now occupies a former Christian Science building on West 54th. In 1990, Reverend Charles's son Reverend H. B. Charles Jr. succeeded his father; at the time of his appointment Reverend Charles Jr. was a 17-year-old student at Los Angeles High School. He served for nearly 18 years before being called to Florida.) The September 1960 Baseball Digest reported that the great shortstop Maury Wills, who had come west with the Dodgers, was living with Charles's family in their "12-room parsonage" on the Square. Number 8 disappeared from city directories after 1960.


The Reverend H.B. Charles, left, and Al Barnes, right, present
Maury Wills with a trophy for excellence in sports from
the Mt. Sinai Missionary Baptist Church in 1963.



Illustrations: LAT; LAPLEbony



7 Berkeley Square

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The Welsh name of Llewellyn might conjure for some people—well, maybe one or two at this point—the early years of building the great city of Los Angeles. The Llewellyn Iron Works, founded in 1890, supplied much of the structural and decorative metal that literally made the city—including the gates of Berkeley Square in 1904. There was also the implication of the iron works in the turbulent history of unions in militantly open-shop Los Angeles. The infamous bombing of the fortresslike Los Angeles Times building at Broadway and First Street on October 1, 1910, was followed on Christmas Day of that year by the dynamiting of the Llewellyn Iron Works on North Main—both Harrison Gray Otis of the Times and the Llewellyns were fiercely anti-union. Perhaps the bombings had something to do with the Llewellyn family's move soon after to the suggested safety of a gated enclave.




The Llewellyns didn't build the house, which was originally addressed #6 for its primary lot. In April 1908, Los Angeles real estate man Waller G. Chanslor bought from the Burkes the 80-by-250-foot Lot 6 as well as a 20-foot strip of Lot 5 adjacent to the east, announcing his intention to build a $15,000 residence. Chanslor appears to have already engaged the estimable Arthur B. Benton to design the house that rose on Lot 6 in 1909—on May 8, the Department of Buildings issued him a permit to begin construction. (The architect did not, as one web source claims, "[design the] neighborhood known as Berkeley Square," but #7 was one of three houses the architect designed on the street.) Benton designed many other Los Angeles buildings as well as of the famous Mission Inn in Riverside—no slouch he. The Times of December 26, 1909, describes Benton as having designed for Chanslor a house of the "Spanish type" and noted that it was nearing completion. Chanslor lived in the house only briefly; real estate investor A.L. Schwarz appears to have assumed ownership within a year, he in turn selling it at the end of 1912 to Elmer E. Cole for $55,000. How long either Schwarz or Cole may have actually lived at #7 is unknown; they, like Chanslor, may have only been looking to flip the property.


"We built this city..."


By 1914 the Llewellyns and Milners were in residence—later court documents have William Llewellyn and three of his four brothers, as well as their sister Winifred, living in Berkeley Square early on, in addition to Winnie's husband, John Milner, who was working for the family firm. The extended family would remain at #7 for nearly 35 years. The Milners had two children—Gwendolyn and Reese (sometimes called "Bud," though these were no Andersons). Gwen married Walton Hubbard at #7 in 1932. Perhaps Hubbard, who would become a well-known Southland yacht dealer, was introduced to Miss Milner through his fellow yachtsman Willis Hunt Junior, who grew up next door to Gwen, first at #5 and then #3. Both the boys were described as wild (Monte Beragon comes to mind), and of course we've read of Hunt's Hollywood exploits in the story of #3. Actually, it seems that the '10s and '20s passed in mostly unsudsy fashion for the family, with just the usual births, ladies' luncheons, weddings, and deaths. Then in 1929 the Llewellyn company was sold and combined with both the Baker and Union iron works to form Consolidated Steel, the influx of cash from the sale sowing further seeds of discontent in what must have already been the fecund soil of too much family under one roof. Dallas, anyone? 




In 1937 John Milner died suddenly at #7, age 50. Fourteen months later, his widow married one Bert C. Clark of New York, with the reception held at #7. Apparently the newlyweds' move East left only the elderly William Llewellyn and his nephew Bud—another of the Square's wild progeny—at #7. (The original Llewellyn brothers other than David—who wisely lived in Hancock Park—appear to have died by this time.) The cops were to come looking for Bud at #7 in the summer of 1941, so the Times reported on August 24, arresting him there in connection with the hit-and-run of a man and a woman on the Roosevelt Highway (now the PCH). According to the Times, Reese, who was sleeping when the police called at #7, said that he knew he had hit someone with his car, but not believing it to be serious, continued on home to Berkeley Square, "intending to report the matter to police later." (Of course he was.) So far I have been unable to find out what ultimately happened to the female victim, who was severely injured, but it seems that the young man of good intentions was held only briefly in the West Los Angeles jail. It could be that the 25-year-old Reese was treated like the rich fraternity boy he more resembled, receiving just a slap on the wrist; the oligarchical wagons may have circled, the young lady, if she survived, perhaps becoming the recipient of a yearly stipend and a new Lincoln-Zephyr. At any rate, things were beginning to boil over at #7 Berkeley Square.

Clark—the man and the name—seems to have been shed by Winnie around this time, as was this mortal coil on February 5, 1942. She was 59. (Her Times obituary refers to her confusingly as "Winifred L. Milner, widow of John Milner"—no Clark in sight.) Winnie left her estate to Reese and Gwen, but her demise seems to have raised tensions at home between the septuagenarian William and his nephew Bud even further. William frequently went to live at one of his many clubs, in this case the downtown Jonathan, to get away from Reese's indulgences at #7. His health deteriorating, the old man signed a new will on March 12, 1945, that cut his wayward nephew and his niece out in favor of his brother David. Inevitably the charming Bud and his sister Gwen (now Mrs. Cheesewright, having moved on from Walton Hubbard) contested the new will after William died on September 11, 1945, charging that Uncle David had unduly influenced his brother in the execution of the new will. Court records available online about the case demonstrate how human lives can be reduced to legalese that could provoke a sane person to gouge out his own eyes—words, words, and more words...in other words, we could not make heads or tails of how the case turned out. More interesting to us is the note in the record that a prior will of William's was executed by his next-door neighbor at #9, attorney and later Superior Court Judge Paul Nourse, and the lesson that the Southfork model is inadvisable, in Texas, California, or anywhere else.


Mr. and Mrs. Milner in a moment
 of happiness at Ciro's


During the the will battle, Bud followed the model of his one-time neighbor Willis Hunt Junior and discovered Hollywood. On February 16, 1946, he married none other than Miss Ann Miller, she of the big swoopy hair and 500 taps a minute. The former Johnnie Lucille Collier, a small-town Texan who was hitting it big in Tinseltown, liked her husbands rich, but, at least in the case of Bud, she was the one who paid. Ann Miller Milner got pregnant forthwith, just as the bumptious Llewellyn-Milner clan was moving out of #7, thus ending the family's 32-year tenancy. According to New York's modern-day answer to Hedda and Louella, David Patrick Columbia, "Milner had a legendary temper, so vile that he eventually ended up behind bars. He was also an alcoholic. One night in the bedroom of their Holmby Hills mansion, when Miller’s pregnancy was close to term, the couple got into a quarrel.... Milner picked up a gun and threatened to shoot his wife. She ran and he shot. Bang-bang. She was able to dodge the bullets by making a fast exit down the grand staircase.... [Her escape down the stairs unsuccessfully executed,] Miller gave birth shortly thereafter and her only child died three hours later." Always one to face his responsibilities head-on, Reese is said to have had the baby buried in a location kept from its mother until 1999; Ann and her daughter are now together at Holy Cross Cemetery in Culver City. (Miller once claimed that her difficulty maintaining relationships with men was due to her being an Egyptian queen in a past life and executing any man who displeased her, so it seems a shame that she and Milner hadn't met circa, say, 50 B.C.) By 1975, Reese was being described as a Beverly Hills oil man and an Ojai rancher. That summer, according to the Times, he pleaded no contest to charges that he had hired two ex-convicts to break into the Ojai home of a "former woman friend," a former actress (not our Ann), trussing her and her two children, and attempting to sever one of the lady's fingers, apparently in retaliation for her having bitten off a finger on Milner's right hand. The judge in the case ordered that Reese undergo a 90-day psychiatric evaluation at the California Institute for Men at Chino, which by this time would seem to be distinctly pro forma.

          
The house as seen in the Los Angeles Times on December 26, 1909 



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Exit the Llewellyn-Milner clan. Enter the Bilickes in the spring of 1946. Albert Constant Bilicke was the son of Oregon-born, San Francisco–raised Albert Clay Bilicke, noted Los Angeles booster and builder. Among the downtown buildings he put up are the Title Insurance Building and the Hollenbeck and Alexandria hotels. Albert Clay died on May 7, 1915, not technically on the Lusitania itself but when the lifeboat he and his wife were in accidentally tipped as it was being lowered. Bad luck, to say the least. Gladys Bilicke survived, plucked from the sea; now a widow, in a reversal of typical migration, Mrs. Bilicke left South Pasadena for West Adams, settling into the still-extant 825 West Adams, to be precise—curiously enough, just down the street from 710, home of the J. Ross Clarks, who'd lost their son, Walter, on the Titanic in 1912. The elder of two Bilicke sons, Albert Constant, and his wife, shared digs with Gladys on their visits to town from their date ranch near Indio; they sold 825 a few years after the senior Mrs. Bilicke expired in 1943. Once the sordid air of the latest Llewellyn unpleasantness was Airwicked from #7, they moved from the ranch back into the city to Berkeley Square. While the life of his father Albert Clay Bilicke is well chronicled, from his childhood in Oregon and California to his colorful time in Tombstone, Arizona, to his days of building in L.A. to his date with Davy Jones's locker, his elder son is a relative enigma. It seems that he once had a scientific bent, his 1927 master's thesis at Caltech having been titled "The space-group and molecular symmetry of beta-benzenehexabromide and hexachloride." Or perhaps not such an enigma after all: With real estate in his veins as well as hyphenated chemicals, it seems that he actually began folllowing his father into the real estate business as a small child:


Seen in the Los Angeles Herald, April 9, 1905: Little Constant with his parents,
Mr. and Mrs. Albert Clay Bilicke, at the groundbreaking of the Alexandria
Hotel, still standing at Spring and Fifth streets. At right is Robert A.
Rowan, who was associated with Mr. Bilicke in many land and
building enterprises. Rowan was also a developer of,
among other tracts, Windsor Square, a street of
which bears his daughter's name (Lorraine)
and to which many WestAdams district
residents retreated over the years.



January 18, 1950: Among attendants to Lucienne Bilicke were her young
 sister, Mary Margaret (closest to the bride), and Mrs. Anthony
 Bertucci, who as a young married once rented a garage
 apartment at #7 from the Bilickes.



Constant had married Margaret Lucienne Gray in 1923. Her parents, attorney Lucien Gray and his philanthropist wife, Blanche (no relation to the Grays of #1), seem to have been considered particularly ancien rĂ©gime in Los Angeles and were to live for over 50 years in the West Adams house they built in 1909. (In an interesting crosscurrent, their house, at 2515 4th Avenue, is the one to which Dr. Ruth J. Temple of #5 would move after she left the Square.)

Bilicke supported his family in Berkeley Square splendor, even if the street was fraying precipitously around the edges, as a real estate investor. The family's first few years on the Square seemed to pass quietly, but soon all hell was to break loose. The Bilicke's daughter, Lucienne, named as was her mother for her grandfather, became engaged to what would be her second husband, the son of the rector of Los Angeles's Old Guard St. John's Episcopal Church on Adams Boulevard. Much rejoicing in the society columns. Twenty-five-year-old George Bindley Davidson was also an Episcopal minister (his father was also confusingly a George). The wedding on January 18, 1950, was an intimate affair, with 1,000 guests at St. John's for the service, 700 of whom made the cut for the California Club reception afterward. Six months later Constant was no doubt trying to ignore thoughts of the thousands he turns out to have flushed in January for yet another of his daughter's failed marriages—Lucienne was suing the young Reverend for an annulment. According to the Times of July 18, 1950, the cryptic grounds were that the young Reverend Davidson had "falsely represented himself as qualified to be a true, competent and dutiful husband and citizen." Well, well. The paper reported less cryptically on September 27 that Lucienne had also charged her husband with cruelty and physical violence and that the divorce had been granted the day before in Santa Monica Superior Court. Lucienne Bilicke LeBlanc Davidson was soon back on Berkeley Square having resumed her maiden name; her ex became an expert on Pekingese dogs and died in Monterey in 1968, age 42.



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Mrs. Perry W. Beal surrounded by her six children at 7 Berkeley Square,
 Mother's Day, 1957: from left, Reginald, Michael,
 Louise, Perry Jr., Ronald, and Linda. 



It seems that the Bilickes were anxious to put some distance between themselves and West Adams after Lucienne's marital mess—#7 was soon on the market, and the family was to depart the Square by late 1951. Dr. and Mrs. Perry W. Beal, newly arrived in Los Angeles from Houston, were in residence by mid-1952. Mrs. Maggie L. Lee soon joined her daughter and son-in-law and their five children on the Square, and baby Linda would arrive within a few years. Dr. Beal became president of the Medical, Dental and Pharmaceutical Association; his wife was very active in the charitable auxiliary of the Association and in the mothers' clubs of her children's schools. She also directed the musical development of all six children. It was said that music from #7 could often be heard wafting over the Square during the '50s—to entertain the 50 friends invited to young Louise's 16th birthday, however, her siblings were not pressed into service—a four-piece orchestra was hired. Sadly, the sound of bulldozers would drown out any music in the house before long—as Jet magazine was to report in its November 5, 1959, issue, "Construction of the Los Angeles Freeway is forcing the Perry Beals, whose impressive address is Seven Berkeley Square, to find a new home—one with a four-car garage to house the family's Cadillac, Mark IV, Thunderbird and Galaxie." By 1961, the Beals and Mrs. Lee were living in a duplex a few blocks away at 1855 West Adams. The wrecking ball was about to drop on #7—as with all north-side Berkeley Square addresses, there were no listings for it in city directories published after 1960.



Illustrations: Private Collection; LATLAS; LAPL; USCDL; Fanpix